Onisaburo in a Shinto ceremonial robe




1. The Iroha Syllabary

The Iroha Syllabary is an old Japanese alphabet consisting of 47 phonetic symbols. Legend has it that it was invented by Founder Kukai (774-835) of the Shingon sect of esoteric Buddhism as he translated Mahaparinirvana-sutra in 47 syllables (For more information about Kukai, see Footnote 1 below). They are:

[1] (i);   [2] (ro);   [3] (ha);   [4] (ni);   [5] (ho);   [6] (he);   [7] (to);   [8] (chi);   [9] (ri);   [10] (nu);   [11] (ru);   [12] (wo);   [13] (wa);   [14] (ka);   [15] (yo);   [16] (ta);   [17] (re);   [18] (so);   [19] (tsu);   [20] (ne);   [21] (na);   [22] (ra);   [23] (mu);   [24] (u);   [25] (wi);   [26] (no);   [27] (o);   [28] (ku);   [29] (ya);   [30] (ma);   [31] (ke);   [32] (fu);   [33] (ko);   [34] (e);   [35] (te);   [36] (a);  [37] (sa);   [38] (ki);   [39] (yu);   [40] (me);   [41] (mi);   [42] (shi);   [43] (we);   [44] (hi);   [45] (mo);   [46] (se);   [47] (su).

To divide the syllabary into chunks of up to 7 letters,  the following will be obtained:

ゑ (we) あ (a) や (ya) ら (ra) よ (yo) ち (chi) い (i)
ひ (hi) さ (sa) ま (ma) む (mu) た (ta) り (ri) ろ (ro)
も (mo) き (ki) け (ke) う (u) れ (re) ぬ (nu) は (ha)
せ (se) ゆ (yu) ふ (fu) ゐ (wi) そ (so) る (ru) に (ni)
す (su) め (me) こ (ko) の (no) つ (tsu) を (wo) ほ (ho)
--- み (mi) え (e) お (o) ね (ne) わ (wa) へ (he)
--- し (shi) て (te) く (ku) な (na) か (ka) と (to)


The purple syllables (top row) read (from right to left) i chi yo ra ya a we, which means in Hebrew "YHWH sends (the Christ) to this world as a burnt offering." Some may wonder where the Christ is, but don't worry. Here He is:

ゑ (we) あ (a) や (ya) ら (ra) よ (yo) ち (chi) い (i)
ひ (hi) さ (sa) ま (ma) む (mu) た (ta) り (ri) ろ (ro)
も (mo) き (ki) け (ke) う (u) れ (re) ぬ (nu) は (ha)
せ (se) ゆ (yu) ふ (fu) ゐ (wi) そ (so) る (ru) に (ni)
す (su) め (me) こ (ko) の (no) つ (tsu) を (wo) ほ (ho)
--- み (mi) え (e) お (o) ね (ne) わ (wa) へ (he)
--- し (shi) て (te) く (ku) な (na) か (ka) と (to)


I ha o = ihao means "petro (rock)," and this is another name for the Christ. Does the syllabary justify His crucifixion?  Check this out:

ゑ (we) あ (a) や (ya) ら (ra) よ (yo) ち (chi) い (i)
ひ (hi) さ (sa) ま (ma) む (mu) た (ta) り (ri) ろ (ro)
も (mo) き (ki) け (ke) う (u) れ (re) ぬ (nu) は (ha)
せ (se) ゆ (yu) ふ (fu) ゐ (wi) そ (so) る (ru) に (ni)
す (su) め (me) こ (ko) の (no) つ (tsu) を (wo) ほ (ho)
--- み (mi) え (e) お (o) ね (ne) わ (wa) へ (he)
--- し (shi) て (te) く (ku) な (na) か (ka) と (to)


The bottom row indicates to ka na ku te shi su. Toka (or Toga) means "sin," nakute means "without" and shisu means "to die." Lumped together, they mean "(The Christ) dies without sin."

Thus, the Iroha Syllabary indicates that God dispatched the Christ, who was supposed to bear the cross for humanity, to the earth, and that the Christ died without sin in accordance with the biblical covenant.

Moreover, from "I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come, the Almighty" (Rev 1:8), Alpha and Omega correspond to い (i) and す (su), respectively. The Japanese equvalent for Jesus is いえす (i-e-su, iesu). Where is え (e), then?  Surprisingly, it is the 33rd letter between い (i) and す (su) (Note: い (i) and す (su) are not counted as they have already been used). Likewise, there are 12 syllables between え (e) and す (su) (Note: え (e) and す (su) are not counted as they have already been used):

ゑ (we) あ (a) や (ya) ら (ra) よ (yo) ち (chi) い (i)
ひ (hi) さ (sa) ま (ma) む (mu) た (ta) り (ri) ろ (ro)
も (mo) き (ki) け (ke) う (u) れ (re) ぬ (nu) は (ha)
せ (se) ゆ (yu) ふ (fu) ゐ (wi) そ (so) る (ru) に (ni)
す (su) め (me) こ (ko) の (no) つ (tsu) を (wo) ほ (ho)
--- み (mi) え (e) お (o) ね (ne) わ (wa) へ (he)
--- し (shi) て (te) く (ku) な (na) か (ka) と (to)


In other words, the first 33 symbols between い (i) and す (su) represent the period of Jesus' life on earth, while the latter 12 symbols between え (e) and す (su) represent His 12 apostles. They are combined to complete Christianity.





2. The Reinterpretation of the Iroha Syllabary with Omoto's Teachings

Some may wonder why the mysteries of Judaism or Christianity can be unraveled in Japanese. One reason is that in Omoto, Kuni-toko-tachi (the creator of the earth; his Hebrew name is Jehovah), who had ruled in Jerusalem in the age of the deities 350,000 years before, was forced into the Japanese Archipelago due to the devils' conspiracy. Another reason is that the Japanese are one of the few peoples who can clearly and accurately pronounce 75 kototama ("the spirit power of words"), the creative elements of all that is. The Japanese language consists of 75 syllables as follows:

パ 
(pa)
バ 
(ba)
ダ 
(da)
ザ 
(za)
ガ 
(ga)
ワ 
(wa)
ラ 
(ra)
ヤ 
(ya)
マ 
(ma)
ハ 
(ha)
ナ 
(na)
タ 
(ta)
サ 
(sa)
カ 
(ka)
ア 
(a)
ポ 
(po)
ボ 
(bo)
ド 
(do)
ゾ 
(zo)
ゴ 
(go)
ヲ 
(wo)
ロ 
(ro)
ヨ 
(yo)
モ 
(mo)
ホ 
(ho)
ノ 
(no)
ト 
(to)
ソ 
(so)
コ 
(ko)
オ 
(o)
プ 
(pu)
ブ 
(bu)
ヅ 
(dzu)
ズ 
(zu)
グ 
(gu)
ウ 
(wu)
ル 
(ru)
ユ 
(yu)
ム 
(mu)
フ 
(hu)
ヌ 
(nu)
ツ 
(tsu)
ス 
(su)
ク 
(ku)
ウ 
(u)
ペ 
(pe)
ベ 
(be)
デ 
(de)
ゼ 
(ze)
ゲ 
(ge)
ヱ 
(we)
レ 
(re)
エ 
(ye)
メ 
(me)
ヘ 
(he)
ネ 
(ne)
テ 
(te)
セ 
(se)
ケ 
(ke)
エ 
(e)
ピ 
(pi)
ビ 
(bi)
ヂ 
(ji)
ジ 
(zhi)
ギ 
(gi)
ヰ 
(wi)
リ 
(ri)
イ 
(yi)
ミ 
(mi)
ヒ 
(hi)
ニ 
(ni)
チ 
(chi)
シ 
(shi)
キ 
(ki)
イ 
(i)


A distinguishing feature of Japanese is that it consists primarily of syllables which, with the exception of ん ("n"), are made up of either single vowels, or consonant + vowel pairs. Incidentally, Emanuel Swedenborg says that the language of the celestial beings always has a vowel between consonants, and that it is akin to the ancient Hebrew. What would he have said if he had known about the Japanese language?

Some Omoto watchers argue that the Iroha Syllabary per se is a strong piece of evidence that Onisaburo is the Christ reincarnated.

For example, the aforementioned numbers of 7, 12, and 33 are associated with Onisaburo. Onisaburo was born on July 12 (lunar calendar), Meiji 4 (1871). 7 means "fulfillment of the earth," and 12 is a number of "completion." 33 represents the Mizu-Spirit = Go-santai-no-ohkami ("The Three Most August Deities of the Universe") = Ame-no-mi-naka-nushi-no-kami ("The Deity Master-of-the-August-Center-of-Heaven") and Its two emanations Taka-mi-musu-bi-no-kami ("The High-August-Producing-Wondrous Deity"; the progenitor of spirit) and Kamu-mi-musu-bi-no-kami ("The Divine-Producing-Wondrous-Deity"; the progenitor of material) = Their full physical manifestation is Kamususanowo-no-ohokami = Onisaburo.

On Mar. 3 (solar calendar), Showa 3 (1928), at an exact 56 years and 7 months (567 = miroku = Maitreya) of age, Onisaburo declared himself as Maitreya-bodhisattva, who Buddha prophesied would come to save humanity 5.67 billion years after his death. He modified Buddha's prophecy by saying that Maitreya would come 5.67 billion years after the earth was created (cf. A Creation Story). He claimed that this very day fell on the 5.67 billionth year. To commemorate this occasion, Onisaburo chanted the next 31-syllable poem: The world is seeing the dawn of a glorious reign now that the Heaven-Maitreya (= the Mizu-Spirit), the Earth-Maitreya (= the Izu-Spirit) and the Human-Maitreya (= the Izunome-Spirit = Onisaburo) have gathered to dispel the perpetual darkness by revamping the realms of divinities, of lost spirits and of human beings in the spiritual world.

Omoto Shinyu ("The Omoto Revelation"), the messages of Kuni-toko-tachi transmitted through Nao, often mentions "kami's design using the Iroha 48 syllables" or "the spirits[or souls] of the Iroha 48 syllables." The traditional Iroha Syllabary consists of 47 syllables, but the Iroha Syllabary Omoto claims is made up of 48 syllables--ん ("n") is added as shown below:

ん (n) ゑ (ye) あ (a) や (ya) ら (ra) よ (yo) ち (chi) い (i)
--- ひ (hi) さ (sa) ま (ma) む (mu) た (ta) り (ri) ろ (ro)
--- も (mo) き (ki) け (ke) う (u) れ (re) ぬ (nu) は (ha)
--- せ (se) ゆ (yu) ふ (fu) ゐ (yi) そ (so) る (ru) に (ni)
--- す (su) め (me) こ (ko) の (no) つ (tsu) を (wo) ほ (ho)
--- --- み (mi) え (e) お (o) ね (ne) わ (wa) へ (he)
--- --- し (shi) て (te) く (ku) な (na) か (ka) と (to)


Since the conventional Iroha Syllabary lacks this ん ("n")--the word meaning "luck," Onisaburo quips, fortune smiled neither on the 47 loyal ronin (as in The Lives of the Forty-Seven Loyal Ronin) nor on Jesus Christ. On the other hand, Omoto's 48-letter syllabary saved the religious organization on several occasions. For instance, the number of suspects who appealed up to the Supreme Court was 48 except Onisaburo and his wife Sumi. With this model leavening, the number of nations which attended the signing of the San Francisco Peace Treaty was 48 except Japan.

The kanji characters 四八音 ("48 phonemes or syllables") can be read yo-ha-ne, yohane (John the Baptist).  The 48-symbol Iroha Syllabary does illustrate Omoto's design for the creation of a Maitreyan world by interweaving the warp (= John the Baptist) and the weft (= Jesus the Christ).

In Omoto, Kukai is believed to be a partial manifestation of Kuni-toko-tachi just as Lao-tsu in China is a divided soul of Kuni-toko-tachi. The esoteric Buddhist's birthplace is suggestive of this; he was born in Shikoku, one of the four main islands of Japan. Shikoku, according to the Reikai Monogatari, is the magnified version of the Island of Kan-muri ("Crown"), where Kuni-toko-tachi was incarcerated.

Also, according to Volume 73 of the Reikai Monogatari, the Iroha Syllabary is actually invented by Ohmoto-akitsuo-no-kami, the primordial deity of the Mizu-Spirit and also the deity of kototama ア (a). Kukai just receied the Syllabary from Ohmoto-akitsuo-no-kami and wrote it down in the Japanese phonetic symbols. (Interestingly, Kukai's esoteric Buddhism worships ア (a) as the creator of all things.)



3. The Dissection of the Iroha Syllabary from the Perspective of Kototama



To be continued....



(Footnote 1)

Kukai was the founder of Shingon or Esoteric Buddhism. He was born in Byobugaura in present-day Kagawa prefecture in Shikoku during the Heian period, seven years after the birth of Saicho (767-822). It is said from an early age he was fond of studying.

He went to Kyoto where he studied Confucian, Taoist and Buddhist teachings, and ultimately took up the study of Buddhism after deciding it was superior. He recorded the process of his own scholarship at the age of 24 in a work titled Indications of the Goals of the Three Teachings.

Before long, he entered the priesthood and traveled to T'ang China to study. He traveled on board one of the four ships of the official mission to the Chinese capital. By a strange coincidence, he ws aboard the first ship in the fleet and Saicho ws aboard the second ship. However, their respective goals were different, and while Kukai studied Esoteric Buddhism for three years, Saicho studied primarily T'ien-t'ai teachings for one year.

Kukai diligently studied under Hui-kuo at the Ching-lung Temple, where he exhibited exceptional ability and was permitted to receive the ultimate teachings of Esoteric Buddhism. He eventually returned to Japan carrying large numbers of sutras and Esoteric Buddhist images, among other things. Esoteric Buddhism was accepted by the Emperor and Kukai rapidly became eminent.

While he transmitted Esoteric Buddhism to large numbers of people, he established Kongobu-ji on Mt. Koya as the center of the Shingon sect. He was then entrusted with Toji, and established there a foundation for the practice of Shingon teachings.

Kukai founded Esoteric Buddhism in Japan, but he also introduced Esoteric culture, contributing to the development of culture through large numbers of writings. We ought not forget that it was also Kukai who propagated among the masses for instance by opening a school for the general public known as Shugei Shuchi-in, a school of arts and sciences. Following his death, the Emperor Daigo (885-930) bestowed upon him the posthumous title Kohboh Daishi.




Under his posthumous name Kohboh Daishi, Kukai is probably the best-known Buddhist monk in Japanese history. He is credited with all kinds of miraculous and practical abilities including flood-control and the invention of the iroha syllabary and is believed by the devout to be dormant in samadhi rather than deceased. His birthplace Shikoku has a famous pilgrimage circuit (junpai) dedicated to him. Kukai first studied Chinese classics, then practised Buddhist austerities in Shikoku and in 804 journeyed to China. Saicho (Dengyo Daishi) was in another ship on the same voyage. Kukai returned to Kyoto in 806 with esoteric initiations from Hui-kuo, a direct disciple of the Indican monk Amoghavajra. He devoted his life to promoting Shingon Buddhism, in 816 establishing a great monastic center on Mt. Koya in Kii province some distance south of Nara. He wrote a number of literary and Buddhist works of enduring importance, showing the superiority of Buddhism over Confucianism and Taoism and stressing the central esoteric teaching that with appropriate techniques of esoteric Buddhist meditation it is possible to realize "in this very body" that all phenomena are manifestations of the Buddha of light, Vairochana (Dainichi nyorai). Kukai's disciples contributed to the development of shugendo (The traditional religious system followed by orders of mountain-based, magico-religious ascetics called yamabushi. Shugendo incorporated Buddhist, Taoist and kami-based beliefs and practices). The later Shingon view of kami as suijkaku "trace-manifestations" (honji-suijaku; a kind of Shinto-Buddhist synthesis) helped raise the status of the kami to the level of Buddhist divinities but cannot be attributed to Kukai himself. Though he always remained on good terms with the court, shrine priests and the established Nara Buddhist clergy he showed no awareness of "Shinto" as a teaching. According to one legend Kukai alone has seen the miraculous "ten treasures" which may or may not exist in the Iso-no-kami Shrine at Tenri, Nara prefecture. According to the Kujiki ("Record of Events of Bygone Times"), they were handed down by Ama-terasu to the early ruler of Yamato called Nigi-haya-hi, a predecessor of Ninigi.